User manual HARMAN KARDON AVR 140

[. . . ] ® Power for the Digital Revolution. ® AVR 140 AUDIO/VIDEO RECEIVER OWNER'S MANUAL AVR 140 DIGITAL PRO LOGIC 3 STEREO DSP 5 7 CH. OFF LOGIC 7 VID 1 VID 2 VID 3 DVD CD FMAM TAPE 6 8 CH C AVR 140 AUDIO/VIDEO RECEIVER 3 4 4 5 7 9 12 14 14 15 16 17 17 18 20 22 22 23 26 26 26 26 26 27 27 28 33 33 34 34 36 36 36 36 36 37 37 38 38 38 39 40 40 40 40 41 43 53 53 54 54 55 56 Introduction Important Safety Information Unpacking Front-Panel Controls Rear-Panel Connections Remote Control Functions Installation and Connections System Configuration Speaker Selection and Placement System Setup Using the On-Screen Display Input Setup Audio Setup Surround Setup Speaker Size Speaker Crossover Settings Delay Settings Output Level Adjustment Operation Basic Operation Source Selection 6-Channel/8-Channel Direct Input Volume and Tone Control Surround Mode Selection Digital Audio Playback Surround Mode Chart Tuner Operation Recording Using Bridge Output Level Trim Adjustment Advanced Features Front-Panel-Display Fade Turn-On Volume Level Semi-OSD Settings Full-OSD Time-Out Adjustment Default Surround Mode Full-OSD Background Color Programming the Remote Programming Device Codes Macro Programming Programmed Device Functions Volume Punch-Through Channel Control Punch-Through Transport Control Punch-Through Resetting the Remote Memory Function List Setup Code Tables Troubleshooting Guide Processor Reset Technical Specifications Trademark Acknowledgements Index Appendix ­ Settings Worksheet The TM For Canadian model This class B digital apparatus complies with Canadian ICES-003. For models having a power cord with a polarized plug: CAUTION: To prevent electric shock, match wide blade of plug to wide slot, fully insert. Modèle pour les Canadien Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada. [. . . ] Press the < / > Buttons o on the remote so that LFE appears in the on-screen menu. · If a subwoofer is connected and you wish to use it for bass reproduction in conjunction with the main front left/right speakers, regardless of the type of program source or Surround mode, press the < / > Buttons o on the remote so that SUB LFE+L/R appears in the on-screen menu. When this option is selected, a full-range signal will be sent to the front left/right "main" speakers, and the subwoofer will receive the bass frequencies under frequency selected, as described below, as well as the LFE information. When all size settings have been made, or in those cases where none are needed, press the ¤ Button n so that the cursor is next to the BASS MGR line to make the final setting on this menu. This setting allows you to use the same speaker size configuration for all inputs, or to have different settings for each input. In most cases the factory default setting of GLOBAL will be appropriate, as most listeners do not need to have individualized settings. However, some listeners, particularly those with fullrange front speakers that are used for both movies SYSTEM CONFIGURATION 21 SYSTEM CONFIGURATION and music, may prefer that different bass management be used when listening to music through a CD player as opposed to a movie from a DVD player, VCR or cable/satellite set-top. Also, you may wish to activate or deactivate certain speakers for some sources. For example, when listening to music CDs, you may wish to have only the front left and right speakers active, or for watching TV, you may wish to deactivate the surround back speakers in favor of a 5. 1-channel configuration. If you wish to customize the speaker settings for each input, make certain that the > cursor is on the BASS MGR line, and press the < / > Buttons o so that INDEPENDENT appears. When this setting is entered by exiting the menu, you may need to go back to the INPUT menu to select another input, and then return to this menu page again to change the settings for that input. Repeat the procedure for any input where you wish to have a different set of speaker configurations. NOTE: When the INDEPENDENT setting is activated, you may assign different speaker size settings to each input to accommodate different bass management settings that match your preferences with the type of program material normally used with a particular source (for example, when movies are played from DVD and music from a CD player). However, the actual speaker crossover settings are set only once and do not change with the input selection. The reason is that, while bass management preferences may vary, the actual speakers remain the same, regardless of the bass-management and redirection settings. You will need this figure to accurately configure the next group of settings. If that setting is acceptable for all channels, then no adjustments are needed and you may skip this section. However, if you wish to change one of the settings, proceed to the SPEAKER X-OVER submenu by pressing the ¤ Button n until the > cursor is pointing to the BACK TO MANUAL SETUP line of the SPEAKER SIZE submenu, and then pressing the Set Button p so that the MANUAL SETUP submenu appears. Then press the ¤ Button n until the > cursor is pointing to the SPEAKER X-OVER line. Press the Set Button p, and the SPEAKER X-OVER submenu will appear (see Figure 9). * L C S S L B E E U U F A F N R R E S SPEAKER X-OVER 0 0 0 0 F O H H H H T B * While the LFE channel, which is the ". 1" you see in surround sound designations, is restricted to low frequency sounds, some mixes may include information that is higher in frequency than your subwoofer is capable of reproducing. To prevent unwanted sounds from being sent to subwoofers that cannot handle them and which do not have a built-in low-pass filter, the LFE option line enables you to select a setting for the low-pass filter that is part of the subwoofer feed from the LFE channel. The settings available are the same as those tied to any one of the four available speaker positions on this submenu. [. . . ] Input Select Channel + TV/SAT Volume Up Channel ­ Channel + TV/VCR Volume Up Channel ­ Volume Up Bridge TM (DMP) The Bridge (DMP) Sleep Test Tone The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select The Bridge (DMP) Select Sleep/CH+ Test Tone T/V Vol Up Surr/CH­ Night Spare Vol Down CH. /Guide / Input Select Volume Up CDR Select CDP Select Volume Down Continuous Play TV/VCR Volume Up Channel ­ Volume Up DSP Surround Mode Select Night Mode Select Volume Down Channel Trim Move/Adjust Up Speaker Adjust Move/Adjust Left Set Move/Adjust Right Digital Input Select Move/Adjust Down Delay Adjust 1 2 3 4 5 6 7 8 Tuner Mode 9 0 Memory Tuning Up Volume Up Disc Menu or Title Subtitle On/Off HD Mode Volume Down Title or Disc Menu Up Menu or Setup Left Enter Right Open/Close Down Return or Status 1 2 3 4 5 6 7 8 Chapter+ or Zoom 9 0 Audio or Playlist Next Chapter Volume Down Up Volume Down Volume Down Guide Up Menu Left Select Right Return/Exit Down 1 2 3 4 5 6 7 8 9 0 Info/Guide Up Menu Left Enter Right Down Prev Channel 1 2 3 4 5 6 7 8 9 0 PPV Volume Down Info/Guide Up Menu Left Enter Right Down Prev Channel 1 2 3 4 5 6 7 8 9 0 Cancel Volume Down Up Menu Left Enter Right Down Prev Channel 1 2 3 4 5 6 7 8 9 0 Sleep Volume Down Speaker/Menu fi Set fl Digital/Exit ¤ Intro Scan Menu Left Enter Right Down Menu Scroll ­ Select Scroll + Delay/Prev. 1 2 3 4 5 6 7 8 Tun-M 9 0 Memory Tuning Up Open/Close 1 2 3 4 5 6 7 8 Repeat 9 0 Time Track Direct Cancel 9 0 1 2 3 4 5 6 7 8 FUNCTION LIST 41 FUNCTION LIST No. 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 Button Name Direct Clear Preset Up Tuning Down OSD D. Skip Preset Down M1 M2 M3 M4 Dolby Surround DTS Surround DTS Neo:6 Logic 7 Stereo Skip Down Skip Up Rewind (<<) Play (<>) F F (>>) Record Stop Pause Stop (DVD) Pause (DVD) Stop Pause AVR Function Direct Tuner Entry Clear Preset Tune Up Tuning Down OSD Disc Skip (DVD) Preset Tune Down Macro 1 Macro 2 Macro 3 Macro 4 Dolby Modes DTS Digital Modes DTS Neo:6 Select Logic 7 Select Stereo Mode Select Skip ­ (DVD) Skip + (DVD) R. [. . . ]